My journey with printmaking began at Guilford College in 1995. During that time I traveled to Cape Coast, Ghana, West Africa which inspired a series of five woodcuts for my thesis. In the summer of 2002, I traveled to Florence, Italy to study printmaking and bookmaking at Santa Reparata and immersed myself in the artistic influences from this part of the world.   I continue my printmaking practice in my studio and take classes at Pyramid Atlantic. 

A series on pain, monotype and chine colle', 2019
Holy, etching, 2019
Impressions, monotype, 2018
Impermanence, drypoint and chine colle', 2017
Cambium, solarplate etching, 2011
Fragments of Light, solarplate, 2008
Untitled, solorplate and monotype, 2007
Evergreen, drypoint, 1998
Anne's Story, acquatint and chine colle', 1998
I'll Be There, 2013, solarplate and chine colle'
Winter, 2006, color solarplate etching 9"x12"
Hollyhock, 2007, solarplate and collage, 9"x12"
Under the Tree, 2007, solarplate etching, 5"x7"
Wanna Be Feet, 2001, screenprint
Lost Song, reduction woodcut, 2004
Calming the Beast, reduction woodcut, 2004
Rest, 2003, color reduction woodcut, 24"x36"
House of Spirts, 2002, woodcut
Lemon Tree, handcolored woodcut, 2002
Book Cover 2.jpg
Moonlight, 2003, woodcut, 8x10
InHerGlory_lores_rgb.jpg
Santa Monte, 2003, woodcut, 8x10
Patience, woodcut, 2003
Wanting Memories, woodcut, 1999
God, there must be something in the heavens, 1999, woodcut, 18x24
Everything Must Change, 1999, hand colored woodcut, 18x24
Offering, 1999, woodcut, 18x24
Amaterasu, 1999, woodcut and collage, 18x24
The Eye of the Storm, color woodcut, 1996
Home, 1997, aquatint and a la poupee
Come As You Are, 1997, etching

A series on pain, monotype and chine colle’, 2019

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